“ Mujer Guitarra”, 2018
Technique Cardboard
28 ½ “ x 34”
Born in San Antonio de los Baños, Cuba, 1980. Fredy Villamil has become one of the most important representatives of the Cuban plastic arts today. Painter and cartoonist, self-taught, his art takes us to a unique world of emotions and memories. His work leads to the robustness of the design, ease of expression and diversity of colors. At his young age has made 22 solo exhibitions and 61 collective in Cuba and abroad. His work has been exhibited in Mexico, USA, Turkey, Costa Rica, Iran, China, Japan, Azerbaijan, gaining 21 international awards and 23 national awards, including the Special Prize awarded by the Union of Writers and Artists of Cuba by all of his work. Emigrated to America in 2010, and motivated by the experience of living abroad, his art takes on another dimension, inspiring a combination of nostalgia and reflection that immerses us in allegorical metaphors of time and the human condition. His work has not been a day efforts, it has formed a generation and synthesizes a broad process of learning and creating a perpetual mobile, is therefore a statement of principles: sharing wisdom deserves and multiply devotion and gratitude, especially if our works survive the time, death and pain, and fill us with the substance of light that radiates life.
“ Mujer Guitarra”, 2018
Technique Cardboard
28 ½ “ x 34”
Born in San Antonio de los Baños, Cuba, 1980. Fredy Villamil has become one of the most important representatives of the Cuban plastic arts today. Painter and cartoonist, self-taught, his art takes us to a unique world of emotions and memories. His work leads to the robustness of the design, ease of expression and diversity of colors. At his young age has made 22 solo exhibitions and 61 collective in Cuba and abroad. His work has been exhibited in Mexico, USA, Turkey, Costa Rica, Iran, China, Japan, Azerbaijan, gaining 21 international awards and 23 national awards, including the Special Prize awarded by the Union of Writers and Artists of Cuba by all of his work. Emigrated to America in 2010, and motivated by the experience of living abroad, his art takes on another dimension, inspiring a combination of nostalgia and reflection that immerses us in allegorical metaphors of time and the human condition. His work has not been a day efforts, it has formed a generation and synthesizes a broad process of learning and creating a perpetual mobile, is therefore a statement of principles: sharing wisdom deserves and multiply devotion and gratitude, especially if our works survive the time, death and pain, and fill us with the substance of light that radiates life.